Yuly Aykhenwald in the debate about the theatre. Article one

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The article, for the first time ever, examines in detail the route of Yuly Isaevich Aykhenwald (1872–1928) as a theatre critic. A review of his publications in the journal “The Russian Thought” (“Russkaya Mysl”) about theatre performances is given; the evolution of his aesthetic views which finally led to his “negation of the theatre” (antitheatricality) is traced; the role of a critic in the pre-revolutionary discussions about the theatre is analysed; closely examined is the attitude of his contemporaries, such as the famous theatre critics (Nikolai Efros) and theatrical figures (Vladimir Nemirovich-Danchenko, Nikolai Evreinov, Vsevolod Meyerhold, Nikolai Popov and others), to his stance in 1900–1910s.

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作者简介

Elena Takho-Godi

Lomonosov Moscow State University; A.M. Gorky Institute of World Literature of the Russian Academy of Sciences

编辑信件的主要联系方式.
Email: takho-godi.elena@yandex.ru

Doct. Sci. (Philol.), Professor at the Faculty of Philology of the Lomonosov Moscow State University, Leading Research Fellow at the A.M. Gorky Institute of World Literature of the Russian Academy of Sciences

俄罗斯联邦, 1 Leninskie Gory, Moscow, 119991; 25a Povarskaya Str., Moscow, 121069

参考

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