Yuly Aykhenwald in the debate about the theatre. Article one
- 作者: Takho-Godi E.A.1,2
-
隶属关系:
- Lomonosov Moscow State University
- A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
- 期: 卷 83, 编号 5 (2024)
- 页面: 113-127
- 栏目: Articles
- URL: https://rjdentistry.com/1605-7880/article/view/657044
- DOI: https://doi.org/10.31857/S1605788024050107
- ID: 657044
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详细
The article, for the first time ever, examines in detail the route of Yuly Isaevich Aykhenwald (1872–1928) as a theatre critic. A review of his publications in the journal “The Russian Thought” (“Russkaya Mysl”) about theatre performances is given; the evolution of his aesthetic views which finally led to his “negation of the theatre” (antitheatricality) is traced; the role of a critic in the pre-revolutionary discussions about the theatre is analysed; closely examined is the attitude of his contemporaries, such as the famous theatre critics (Nikolai Efros) and theatrical figures (Vladimir Nemirovich-Danchenko, Nikolai Evreinov, Vsevolod Meyerhold, Nikolai Popov and others), to his stance in 1900–1910s.
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作者简介
Elena Takho-Godi
Lomonosov Moscow State University; A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
编辑信件的主要联系方式.
Email: takho-godi.elena@yandex.ru
Doct. Sci. (Philol.), Professor at the Faculty of Philology of the Lomonosov Moscow State University, Leading Research Fellow at the A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
俄罗斯联邦, 1 Leninskie Gory, Moscow, 119991; 25a Povarskaya Str., Moscow, 121069参考
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